Friday, November 25, 2005

Christkindlmarkt opens with Snow

This morning Regensburg awoke to bitter cold and falling snow. Inner child awakened, I dressed quickly and dashed out.

The wind stung my face with the tiny ice crystals as I walked to the Steinerne Brucke and crossed, successfully avoiding German drivers who, to my surprise, seemed to lack any idea of how to drive in snow.

Traffic of every description—cars, buses, bicycles— slipped and slid through the streets. An elderly man took a fall right in front of the altestadt bus and was pulled out of danger by two bystanders as the driver hit the brakes and the bus skidded to a halt only a few yards from the bicyclist.

Today Chriskindlemarkt officially opens. Venders are set up in every platz and Regensburg looks very Christmassy indeed. I thought the dealers would loose sales because of the snow but the crowds kept building all through the day.












By sundown, as time for the lighting of the tree approached, several thousand people had jamed Neupfarrplatz. I joined them to hear the Mayor's speech extolling the joy of Christmas (its all about the children) while warming my hands and other parts of me drinking a mug of very potent hot mulled wine.












After a bit, the crowd got to be a bit much so I drifted back to the more intimate less frantic gatherings at Krautererplatz, Rathausplatz and Haidplatz.

Germans practically invented Christmas as we know it -- from the tree to Silent Night to the toywork shop. In Germany, however, Kris Kringle doesn't do the chimney scene. Childlen leave there shoes outside the door filled with hay or carrots for the old boy's white horse (no reindeer-drawn sleigh). But globalization may be overtaking German tradition. The representation of Kris I've seen around town looks less like the slender, distinquished Kringle and more like the classic American Coke-a-Cola Santa. More's the pity.













http://www.weihnachtsmarkt.weihnachten-info.de/regensburg/

T-Day Goodbye


Last night we had our big Thanksgiving dinner at the common room of the Untere Bachgasse residence.

Kneitinger provided the roast turkey with an apple stuffing—yum. We brought the side dishes and deserts and I’m sure many mothers would be proud of the renderings of traditional family recipes by sons and daughters.

It was our last gathering and so bittersweet when we said goodbye late that night.

Most of crew will be in Europe a bit longer. Some of us have to return sooner. But one thing’s certain—we’ve made good friends here. Some we’ll leave behind in Regensburg and others we’ll find again Murray.

Thursday, November 24, 2005

Just say Genau

I have been promising to write this since my third day in Regensburg. I kept hearing the word "genau" pop up in coversations. Often at the beginning or end of a set of remarks or in response to a comment or a question--it didn't seem to matter. If said twice "Genau, genau..." it was a signal for the other speaker to continue.













Genau means "precisely/exactly" but as commonly used it is a verbal tick like the ubiquitous use of “like” by Americans. But where “like” sounds, well, like vague, genau is vaguely precise preserving the appearance, if not the fact, of intelligent conversation.
So here, as threatened, is my doggerel to genau.

Genau!

Living here in Germany
We hear it everyday
People speaking German
In a Bavarian sort of way

At Peaches and at Suzie Wong’s
Pam Pam and Zarap-zap-zap
At the Irish Pub and Wunderbar
We're all socially handicapped

We find ourselves in conversations
With nothing much to say
Aber Danke sehr und Bitte sehr
Und immer entschuldigen Sie

Then comes that pause in conversation
Following a comment or two
With which you nodded in agreement
And you’re not sure what to do

Don’t panic!

Just say “Genau!”
Just say “Genau!”
It’s a word that means precisely what it means.
Just say “Genau!”
Just say “Genau!”
It’s all you need to make the happenin’ scenes

Just say “Genau!”
Just say “Genau!”
And you will gain a reputation as a sage
Just say “Genau!”
Just say “Genau!”
It’s by far the most useful German turn of phrase

Saturday, November 19, 2005

First Snow in Regensburg

Yesterday was schizophrenic. It was cold and gray when I sent out to shop, a daily thing if only for bread. I had only gone a short block when it began to rain. When it rains in Regensburg it pours so I did an about face.

It was raining when I entered my building. By the time I reached my apartment and looked out the window, rain had turned to huge snow flakes. Proof of immaturity is joy at the first snow. “Hot damn! It’s snowing!”

And I’m out the door. Proof of maturity is that when chilled to the bone, I head for the coffee shot to work over a café latte. Several actually. I love to work with the view of the comings and goings in Rathausplaz.














The snow stopped about 1300hrs. It was gray a while longer and then, as if a switch had been thrown, every cloud was gone and a brilliant sun shone. What’s with this? From inside the warm café, it almost looked like summer of warm memory. I went outside. Nope. Still winter.
Two hours later the switch is thrown again. Cue the clouds! Okay, let’s have the snow! Roll ‘em. Laßt ihm scheien, laßt ihm scheien, laßt ihm scheien.

Thursday, November 17, 2005

Viva! Viva! Viva Zarate!

As I walk past the BBB (Big Black Ball) at Regensburg Uni a cry rings out: Viva! Viva! Viva Zarate! A few people turn but most hurry on to class.
Later in Neupfarrplatz: Viva! Viva! Viva Zarate! Heads snap around to find—nothing. And again in Haidplatz: Viva! Viva! Viva Zararte!
Zarate seems to be everywhere, like Underdog of fond memory. But who or what is Zarate?

Zarate is the smartest band on the Regensburg club scene and a transnational enigma.

I was introduced to Zarate by Joeseph (aka Big Daddy) a percussionist I’d seen at the Irish Harp. One evening after he did some pretty impressive scat singing, I asked if he’d heard of Cab Calloway or “Scatman” Crothers. He hadn’t so I scribbled their names down for him and we talked 40s jazz on his break.
“You have to come Halloween.”
“Here?” The Harp had been advertising its big Halloween blowout.
“No. Hinterhaus. You Know it?”
‘Yes.”
“We’ll do our own music.”
“Who’s we?”
“Just come, ok?”

Hinterhaus Halloween. I pushed through the red striped doors at the back of the ally and looked for a seat. A good looking ghoul glided up to me and just as I was thinking: “I still have IT” (trying to remember what IT is) she said: “Vier Euro.” I paid; she stamped my hand—to date the apex of my intimacy with German Fräuleins.

I’m early, indicative of squareness, but I get a seat up front. At 9:00 Zarate comes on with a lot of energy, gritas and vivas passing out gourd shakers to the audience. Big Daddy gives me a gourd about 20 inches long and that night I play my first gig as a percussionist.

“VIVA! VIVA! VIVA ZARATE!
The kinetic Latin-looking front man, Ramirez Miguel Gonzales, bounds on stage sporting a goatee, a gray suit, a too small white cowboy hat, and a large red blossom on his lapel. With what looks like a kung-fu kick, he breaks into a Mexicano rap that almost makes sense when its not gibberish. This morphs into a driving rock break behind the refrain: When I open my eyes I dream of San Pedro. Bump! Bump! Bumpbump! Bump! Bump! Bumpbump!
I cashed it in before Midnight but Zarate’s drummer liked my gourde work (or so I like to think) and told me to catch the next show at Wunderbar. I promised.

A week later at Wunderbar. “VIVA! VIVA! VIVA ZARATE! German audiences, raised in the beer-tent culture respond enthusiastically: “VIVA! VIVA! VIVA ZARATE! Zarate is the quintessential cross-cultural act. After all, Bavarian oompa music is the root of Norte Mexicano music and everyone recognizes Ramirez’s call: Salud! as Prost! by another name.

Meanwhile there is the mystery—who is Ramirez? And what is Zarate? How did a Mexican band come to Regensburg?

The band takes its name from the family of its members. Ramirez, its front man, was born in San Pedro, Mexico on the Guatemala border. Somehow as an infant Ramirez was brought to Germany and raised in a small Upper Palatinate town in Bavaria cut off from his Mexican roots. When he reached the age of 18, he left to find himself and traveled to Latin America, first to Chile and then to Mexico. There he found that San Pedro, the village of his birth, had been leveled to make way for Mexico’s first Super WalMart. Broken inside, Ramirez returned to Germany where he sheds his Mexican identity to perform at the Augsburg Poetry Slam under the alias Michl Bossle.

Unable to accept life as a Bavarian, Ramirez returned to Latin America traveling through Peru, Bolivia, Brazil, Argentina (the Ché tour in reverse) ending up in Ecuador where he hooked up with Zarate as their singer. As Ramirez and the Zarate brothers became a sensation in Mexico and the circum-Caribbean, Ramirez finally came to terms with his transnational self one night after drinking a quart of Mescal atop the Kukulcán pyramid at Chichén Itzá (and eatting the worm). "I am Ramirez,” he shouted, “a Mexican sensation without nationality!"

Ramirez convinced the Zarate brothers to return with him to Germany as representatives of the Zapatista movement and use Mexican music and culture to undermine the global industrial system from Regensburg.

The plan is going well I’m told and I’m assured that global capitalism will fall within a year after Zarate gets a recording contract. Meanwhile Ramirez encourages supporters to to continue to spread fear and confusion among the capitalist elite by giving the grito “VIVA! VIVA! VIVA! ZARATE! in public places loudly and without warning.

And be sure to catch their shows.
http://www.ramirez-artist.de/seiten/diary.html
http://harbourconcept.de/info.html

Tuesday, November 08, 2005

Ein Traum des Freitagnachmittages im Vondelpark

(with apologies to Diego Rivera, Sueño de una tarde dominical en la Alameda) In 1957 my family was stationed in Germany and we visited Amsterdam. I have vivd memories of the canal tour in the glass-roofed boats, of white lace curtains in the hotel, and of visiting fields of tulips where windmills sails turned in the sun. That I can remember these thing so well is noteworthy because I have trouble remembering last year. So naturally I had to visit to see if my memory was accurate. I was surprised that it was and how much more came back to me.
Amsterdam’s Canal Bus is my favorite, effortless, way to get to know the city—at least the part you want to know. I bought a 24-hour ticket on and just rode with no direction known along Amsterdam’s concentric canal rings. Whether you ride the red, blue, or green lines you eventually see it all.
Amsterdam’s canal rings were built in its 17th century glory days when Holland ruled the seas pushing Portugal out of Northeast Brazil and sharking the Indians out of Manhattan for a few bucks worth of glass beads.
Those were the good ol’ days when Amsterdam’s population was growing like crazy every aspiring proto-capitalist entrepreneur wanted a house with access to the docks. So in what the Dutch claim as the first example of urban planning, the city was expanded along three concentric canals. Today a massive system of pumps maintains an artificial current that carries the dirty canal water to the North Sea.

Every house in old Amsterdam (without exception) has a hosting beam fitted with block and tackle because all (without exception) have steeeeeeeeeeeeep narrow stairs. Most houses are only about 30 feet wide—that’s why you need a block-and-tackle to get anything larger than a trunk upstairs. SO be advised when you book a “reasonable” hotel in old town, you will be climbing at least two if not more sets of stairs like THESE!!! That’s why your hotel is “reasonable.”


My reasonable hotel was the Abba. Clean, well-run, friendly and located on the # 1 trolley line near Vondelpark.

I brought my guitar hoping to find music happening. But street music doesn’t happen in Amsterdam. I saw only three street musicians--a really fine clarinet and accordion duo, Turks whose music rolled together Middle Eastern and Mediterranean styles, and an old bluesman who looked and sounded like he was from the delta. I did see a couple of calliope contraptions, however, powered by 2-cycle engines so noisy I could scarcely hear the bad circus music being pumped out. It seems odd, yet it is completely in character for A-dam.

In his Internet Guide to Amsterdam [http://homepages.cwi.nl/], Steven Pemberton describes the city as “relatively quiet, and largely thanks to the canals, has relatively little traffic.” I beg to differ. A-dam it is, without a doubt, the noisiest city I’ve ever been in. In addition to the Dutch propensity to honk car horns a the slightest hesitation in traffic, there is the din of motor scooters, jet after jet after jet making thunderous landing approaches low over the city and the early morning wakeup call of street sweeping vehicles. New York—of Dutch origin—doesn’t approach A-dam’s noise level. And while there is not lot a lot of automobile traffic, A-dam requires that you be alert on the street or die—horribly. The most likely risk of street death, if my experience is typical, is being speared by a bicyclist doing 50 kmph through red light, although close encounters with trolley cars no doubt also figure prominently in official Dutch death certificates.

Another A-dam oddity is its lack of anything like a local cuisine. Tourists hear about A-dam’s international restaurants because no national dishes exist—unless one counts various sorts of smoked fish offered by occasional vendors. Sort of a Hanseatic salted sushi.

Despite it all I love Amsterdam's friendliness. Only a few minutes after arriving, trying to get my bearings as I walked from the train station, a young man asked it I need help. Before I could say yes, he had me in tow, identified the streetcar line (#1) and helped me buy a ticket. “When I visited America everyone was helpful to me.” Where? “Miami South Beach. It was great,” he smiled “very warm.” Amsterdam was the home of Andre Gunder Frank, a good friend I never knew, whose obituary I was asked to write this year.

I crashed early Thursday to be ready for Friday. I began by using up the remainder of my canal taxi ticket. More information recalled from the tape. The canal system allowed proto-capitalists to off-load their cargos from canal barges directly to their home/warehouse. That’s why they’re protocapitalists.

And canal district buildings really do lean toward the water (it's not an after effect of an hour in the coffeebar sipping an expresso). It improves the mechanical efficiency of the beam-mounted block-and-tackle found on all old town houses. The the interior of the building might be mostly residence or mostly warehouse depending on the trade. One of the houses on the Red route was filled with huge built-in vats to store whale oil. The family lived on the top floors.

Then whaling shifted to the New England Yankees, and the house went down hill with the neighborhood. But now the old city canal buildings are being gentrified. Even the whale oil merchant's house has been converted to pricey apartments for those who work in the nearby financial district.

By afternoon, I had taken all the canal tour I could handle—the impressive Elvis imitation of the ship pilot notwithstanding. So I disembarked and headed for my room and then for Vondelpark.

It was an amazing day in Vondelpark. Warm brisk winds blew holes in immense banks of gray clouds for shafts of intensely bright sunlight. The park is named for Dutch poet Joost van den Vondel an A-dam silk merchant who converted to Catholicism, scandalizing his Protestant neighbors, and became a poet and a tireless advocate for religious freedom.
Vondelpark, known as Amsterdam's lung, was created in 1865 by the Association for the Riding and Walking-Park. While the members genuinely wanted recreational space for thousands of working poor the creation of Vondelpark hiked local real estate values and led the wealthy to build elegant homes for themselves around the lung.
Steven Pemberton’s guide tells you that the park used to be a haven for “hippies” but that it’s much less colorful now. Perhaps it’s that today’s hippies are less colorful but the park is still a favorite hangout.

Vondelpark is a classic example of the 18th century serpentine style English landscape garden. The style is a carefully constructed artifice of “natural” vistas that open up as the visitor wanders along curving paths that wind around lakes and ponds set with temples, statues, and impressive trees.
One in particular caught my eye—the most perfect climbing tree I’ve ever seen, festooned with kids whose generations had polished the tree's bark their shoes and backsides.
There are a number of “must dos” in A-dam. I managed to miss two. I didn’t visit the Red Light District, so I’m afraid those who read this far hoping for photos of scantily clad business ladies sitting in windows will be disappointed. I also missed the Anne Frank house. I did spend a half day each in the Van Gogh Museum and the Rijksmuseum.
What they say is true -- reproductions do not prepare you for the reality of Van Gogh and the energy of his brush work.
In both museums visitors can get close enough to touch the paintings. In most cases there is no glass between you and the art. It is actually nerve wracking to watch instant art experts pointing at various works, their fingers, pencils and pens poised mere centimeters above a Rembrandt. While tolerant Dutch security guards hover ready to eject troublemakers, after a time I began to wonder: are these originals or just perfect copies. Would the Dutch allow an unpredictable public to get close enough to damage these world treasures?

Of course Amsterdam wouldn’t be A-dam without its coffee shops. How do you know when you're near? You have to look for the signs.
They actually do serve coffee and tea as well as other legal drugs. And while the clientele is predominately of the dreaded pierced tattooed sort, there were not a few grayer, more sedate customers along with the occasional mom-and-pop tourist, sipping coffee and taking it all in with fascinated disapproval.
In the end it might be best to just buy the T-shirt. It says it all.